MARVEL'S QUIRKIEST TITLE -
BSC, CA – Back in the day, Marvel
Comics, who started showing story credits in the industry and giving
headaches to superheroes, had two great artists to hang their hats
on. One was Jack Kirby, whose bigger than life illustrations were 3D
before 3D. His panel-busting drew you into the action with comic
drawings that stood out and made your blood pump. His figures, from
The Avengers to The Fantastic Four, practically leaped off the page
and into action right before your eyes. You went to the next panel
because you had to.
The second Marvel artist that was great
[imho] was Steve Ditko, whose style was kind of the opposite of
Jack's. Steve Ditko was the master of the small panel and its
emotion. Both artists used their visuals not to just tell a story but
to show the perspective of it. Jack was the big picture, Steve Ditko
was the small screen. It was this precise perspective that led to the
success of Spiderman as the downtrodden, misunderstood superhero
persona. Ditko's art visuals did as much to create this image,
perhaps more, as did the story plot script written by Stan 'The Man'
Lee. Using different exclamation lines around the hero's head almost
cartoon-like totally illustrated Peter Parker's angst in a way no
other artist could have.
However, if the grandest sights were
Jack Kirby's cigar chomping Nick Fury, shield-slinging Captain
America, or the soap-opera Fantastic Four battling Galactus, then
Steve Ditko had The Amazing Spiderman and Dr. Strange, with the
latter title being his tour-de-force artistically. Ditko's art style
fit like a glove and soon the unique title where action rarely took
place in the outside world, was a cult hit, me included and this was
way before Chapter 7 [Memoirs of Mr. Pete & Mary Jane Green]. Dr.
Strange is the second of my planned movies to see this holiday
season.